sexta-feira, 14 de dezembro de 2012

Ashore

The mighty "Azul" (Blue) is ashore for general maintenance and to repair of a minor crack in the hull.

Azul is a Philippe Harlé Gros Plant (a minitransat 6.5m) built by my dad. She's been sailing arround Alhandra for about ten years now:


http://fr.wikipedia.org/wiki/Philippe_Harl%C3%A9 
http://www.pzsc.org.uk/history/minitransat/index.html

terça-feira, 11 de dezembro de 2012

Arsénio Novo Tube Sound Overdrive

Oh no, another solid state circuit claiming to sound like a tube based one...Well, as you'll find out on your own, this time it's true.

Following a very convincing recomendation from a friend and some positive criticism at the forums out there about this amazing little circuit I finally decided to give it a go.

Image

I never liked the onboard distortions of any of the amplifiers I've owned over time* and I've been in the search for quite a while now for the perfect distortion stompbox to go somewhere in between my tube fueled Guyatone FLIPVALVE PD1 Power Drive and my Guyatone SD2 Sustainer D. Well, I guess the search has ended.

*A cheap Legend 15, a not so cheap but indeed VERY unreliable Rocktron Rampage R80, a massive Crate GX212, a Vox Pathfinder 10, a Fender Champion 600 and a Roland Cube 40

Has it happens this awkward "back to back" PNP-NPN arrangement is likely to be the more juicy distortion you'll ever ear from a solid state distortion ciruit. I'm still trying to force myself to believe that a parts count as low as this can supply the goods in such a competent manner...

Here's the circuit:

P2 being a trimpot to help set the bias (should be set at half, approximetely, or wherever you find the best sound) and P1 being the output level control. No gain, no tone, no complication. The guitar controls are very effective in controling the behaviour of the circuit, as I'm sure you'll have a chance to confirm by yourself. Also, nevermind the switches. Those are there as a part of my own experimentation.

To ease your troubled minds, yes, I've tried a FET buffered input. I didn't like what it made to the sound though, but you're of course  free to go ahead and try one for yourself!

Here's the TINA-TI simulator simulation (@0.25Vpp/1000Hz input)

Instead of a written description of the sound (which would never make justice to the A.N.T.S.O.D) I thought it might be best to record a demo, so here it is:

Recorded using the following soundchain: Yamaha Pac311 (Fender Noisless e Gibson PUs) -> ANTSOD -> Roland Cube 40 (line out) ->PC

I've also made your rookie DIYer's life a bit easier by compiling a stripboard layout of this pearl:





Here's the almost finished product, in a very nice aluminium box available in Portugal at: http://www.sonigate.com/pt/product/show_details/58502/Caixa-Aluminio-115x65x35mm




Also of great interest is the descriptive memory of the circuit (dated back to '95) by the man himself:


    From: Arsenio Novo
    Date: 04 Jul 95 23:04:50 
    Newsgroups: rec.music.makers.guitar
    Subject: New Overdrive Circuit


    Hi,

    I've noted that talk on this echo always comes back to the subject of
    overdrive distortion. Whether generated by a vacuum tube amplifier or
    a transistor amplifier there seems to be undeniable differences to me
    as well.

    Lately, I was tinkering with an unusual transistor circuit
    configuration I had come upon a few years ago and made a few
    modifications to the circuit that turned it into one beautiful
    screaming "tube-like" overdrive but without the wall of noise these
    things usually make. When pushed it even makes that distintive
    "zoo-zoo" sound...!!!

    The original circuit was simply a complementary matched pair of
    transistors connected so that all the terminals overlapped. i.e. both
    bases tied together, emitter of the PNP connected to the collector of
    the NPN, and the collector of the PNP connected to the emitter of the
    NPN. Thus:


    This transistor pair is then biased by 2 equal value resistors in each
    of the compound legs, one to the positive supply and the other to
    ground common. The signal is coupled to the base pair leg and the
    output is picked off either of the other 2 legs.

    The result is that the above circuit exhibits the behaviour of a
    multiplier over a range of signal values. It basically performs a
    sin function: in other words a frequency doubler.

    This doesn't have a very good distortion sound though because it is
    rather "burpy and buzzy". However, lately I was toying with the
    circuit when I offhandedly decided to try doing something to it just
    to see what would result.

    After adding a large cap from the NPN's emitter to ground the thing
    went wild on me... WANGO ZE TANGO! SUPREMO DISTORTION! I then
    proceeded to refine the circuit a little more and got a better
    understanding of what it was doing.

    The final schematic follows but first a couple of notes on the
    circuit. The "bias balance" trimmer should be adjusted for a
    symetrical clipping threshold of the output signal as viewed on a
    scope. Short of this it can be easily set by "ear" for the most
    sensitivity somewhere around mid-turn.

    The input should be driven by a lo-z stage if your electric guitar
    doesn't have a built-in pre-amp. You can alter the emitter capacitor
    value in a range from 0.1uF to 1uF in order to obtain various basement
    characteristics but I found the indicated value is a good compromise.
    The input capacitor should not vary much either though because if it
    is made too large the circuit goes balistic and cuts out on the tutti.


    "Tube-sound" Distortion Overdrive Circuit:


    The operation of the circuit more closely resembles a vacuum tube than
    a diode clipper does because of the strong square law characteristic.
    This is due to the negative feedback around both base-emitter pairs.
    This feedback accentuates the junction non-linear behaviour manyfold.

    Thus each transitor drives the other even harder so that the transfer
    curve ends up more logarithmic than is typical of a single transistor.
    In other words: the clipping is gradual and not abrupt like it is in
    the case of a silicon diode. Typically a lot more 2nd harmonic is
    produced as well. As a bonus the waveform folds over on itself when
    the circuit is overdriven!

    Now in the interest of the common good I donate this design to the
    public domain for personal use but retain copyright and reserve all
    rights for any commercial purpose. In other words build one for you
    and your friend but if you have it massed produced for profit I only
    ask a fair share.


    Please, do try the circuit and leave any comments in private at my
    e-mail address: arsenioDOTnovoATmbaDOTorg

By the way, does anyone know who's Arsénio Novo? I'd like to thank him...

Have fun!

Pedro